Music Reviews
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Chris Stapleton Starting Over
The Nashville singer-songwriter sticks to his guns and continues to make steady and soulful country music.
Ethan Gordon reviews... -
Cam The Otherside
The California-bred singer-songwriter makes good on the promise that she’s the ideal future of country radio.
Ethan Gordon reviews... -
AC/DC POWER UP
POWER UP revitalizes the classic rock legends as they continue to endure after 45 plus-years, even if what we're getting is exactly what we'd come to expect from them.
Juan Edgardo Rodríguez reviews... -
Future Islands As Long As You Are
For all the talk of a new approach, the Baltimore synth-pop band rely on old habits on their sixth album.
Matthew Smith reviews... -
Elvis Costello Hey Clockface
With his 31st studio album, Costello is doing whatever the hell he likes, trying out trying out glitchier, grimier sounds instead of the uptown pop style he grew up with.
Ethan Gordon reviews... -
The Mountain Goats Getting Into Knives
The Mountain Goats' 19th studio album is breezy and loose, with quirky yet endearing instrumentations and well-executed parody. Clearly, frontman John Darnielle and company are having a lot of fun.
Carlo Thomas reviews... -
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Matt Berninger Serpentine Prison
Matt Berninger's solo debut is a mixed-bag that doesn't have many surprises but does offer a few solid tunes that fans will enjoy.
Joe Marvilli goes around the distant axis... -
Sinai Vessel Ground Aswim
On their second album, Sinai Vessel lead vocalist/songwriter Caleb Cortes makes a reflective soundtrack for when everything feels desolate and broken.
Ethan Gordon reviews... -
Pallbearer Forgotten Days
On their fourth LP, the Little Rock, Arkansas doom metal band deliver a life-affirming message as they throttle down their progressive ambitions and refine their sludgy dirges.
Juan Edgardo Rodríguez reviews... -
clipping. Visions of Bodies Being Burned
The LA hip-hop trio return to the tone of 1970s classic thriller films and 1990s horrorcore rap music of 2019’s There Existed an Addiction to Blood, performed with their classic graveness which only supports how scary this album can be.
Ethan Gordon reviews...
