Music Reviews
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The Districts You Know I'm Not Going Anywhere
The Pennsylvania band come close to losing their identity altogether on what could have been a major breakthrough.
Mark Moody reviews... -
Tennis Swimmer
For a dose of nostalgia and relaxed vibes, you can't go wrong with Tennis; for more substance, try a different sport.
Kirk Sever reviews... -
Soccer Mommy color theory
Soccer Mommy's new album is a heavy but relatable experience, one that finds power in the somber and the morose by paining it in bright colors and wonderful riff work. [Believe the Hype]
Joe Marvilli circles the drain... -
Say Hi Diamonds & Donuts
Eric Elbogen's second album after his project Say Hi's 2017 retirement relies so heavily on synths that one would think it would be utterly unrecognizable as something that had its roots in the indie rock scene 15 years ago.
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U.S. Girls Heavy Light
Meg Remy continues her rewrite of the American musical landscape on her seventh album, Heavy Light.
Mark Moody reviews...
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King Krule Man Alive!
Where King Krule's The OOZ was a dizzying smorgasbord of styles, Man Alive! fleshes out his song crafting abilities to make for a slightly more cohesive and concise listening experience, albeit, one that remains perplexing.
Jackson Glassey reviews... -
Caribou Suddenly
The Canadian electronic producer's seventh LP is a reflective and also outgoing mood piece that shares insight into what he's learned in the six years he's been away since 2014's Our Love.
Juan Edgardo Rodríguez reviews... -
Poliça When We Stay Alive
The band’s fifth album sees singer-songwriter Channy Leaneagh writing some of her most personal and gripping songs yet as she charts her struggle recovering from a potentially fatal accident, and the process of re-examining her life as a whole.
Jeremy Monroe reviews... -
Agnes Obel Myopia
The Danish singer-songwriter/composer's fourth LP is cryptic and beautiful, eliciting feelings of escape in her somber chamber music.
Juan Edgardo Rodríguez reviews... -
The Men Mercy
The Brooklyn four-piece's latest is a broken-down, mostly acoustic album that feels deliberately tame.
Ethan Gordon reviews...
