Music Reviews
-
SASAMI SASAMI
SASAMI’s debut displays her immense potential, with dreamy, hazy tunes.
Joe Marvilli dives into SASAMI's dusky, atmospheric songs... -
Royal Trux White Stuff
The first studio album from Royal Trux in 19 years, this White Stuff is sold in a mixed bag.
Sean Caldwell reviews... -
Telekinesis Effluxion
The Michael Benjamin Lerner project's fifth LP is wholesome, punchy power-pop that sounds timeless and edgeless, albeit with some welcome changes.
Juan Edgardo Rodríguez reviews... -
Sir Babygirl Crush on Me
Sir Babygirl's debut is a whirlwind of ecstatic pop, rockstar attitude and genre-vaporizing mashups. It's an absolute blast.
Joe Marvilli gets lost in energetic, theatrical pop... -
Homeshake Helium
Homeshake can’t overcome his creative inertia on his fourth LP, Helium.
Juan Edgardo Rodríguez reviews... -
Jessica Pratt Quiet Signs
The LA-based singer-songwriter's third effort reveals a more empathetic side to her once concealed character.
Juan Edgardo Rodríguez reviews... -
Sneaks Highway Hypnosis
Though Highway Hypnosis finds Sneaks exploring new sounds and styles, it lacks the spark and brashness of her previous albums.
Jeremy Monroe reviews... -
Bring Me the Horizon Amo
The Sheffield rock band's sixth LP is strident, difficult to categorize and, in a good way, uniquely spliced and sequenced with little fear of crossing boundaries.
Tom Parmiter reviews... -
Mike Krol Power Chords
No one can accuse Mike Krol of not calling it like it is. True to his word, there's hardly a moment of respite throughout Power Chords' vigorous 34 minutes.
Juan Edgardo Rodríguez reviews... -
Sharon Van Etten Remind Me Tomorrow
After a five-year musical hiatus, Sharon Van Etten reflects on all the changes she's gone through, opening a new chapter with her best album yet.
Joe Marvilli reviews the return of the Comeback Kid...
